📖 ABSTRACT/OVERVIEW
The National Film and Video Censors Board (NFVCB) performs a critical cultural gatekeeping function for Nigerian audiovisual content, and understanding how its regulatory decisions interact with creative expression and cultural representation is important for communication and media policy scholarship. This study examined the film censorship practices and cultural content regulation decisions of the NFVCB, with particular reference to Nollywood productions reviewed between 2019 and 2023. A documentary analysis of publicly available NFVCB classification decisions, policy statements, and regulatory guidelines was combined with semi-structured interviews with eight NFVCB censorship officers and six Nollywood producers who had experienced content review processes. Thematic analysis was applied. Results showed that content classified as containing excessive violence was the most frequently cited basis for content editing requirements, accounting for 38.4 percent of noted interventions. Sexually suggestive content represented 29.6 percent and religious sensitivity concerns 18.7 percent. Producers reported that cultural content regulations were applied inconsistently, with similar content receiving different treatment across review periods. Indigenous language productions faced additional review layers related to dialect authenticity that English-language productions did not encounter. All eight NFVCB officers emphasised cultural preservation as a core regulatory objective, though operationalisation criteria for cultural harm were not formalised in documented guidelines. The study recommends that NFVCB develop transparent, publicly documented cultural content standards and establish a producers' appeal mechanism to reduce arbitrary regulatory outcomes.
Keywords: film censorship, NFVCB, Nollywood, cultural regulation, media policy
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